Soldier and Peasant in French Popular Culture 1766 1870
A study of the differing views of the conscript based on evidence along the eastern border of France. The popular idea of the swaggering military folk-hero, a potent image for the peasant-conscript, contrasts with the elitist view of conscription as "the nation in arms."
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Catalogue g n ral des livres imprim s
Bibliothèque nationale (France) A été écrit sous une forme ou une autre pendant la plus grande partie de sa vie. Vous pouvez trouver autant d'inspiration de Catalogue g n ral des livres imprim s Aussi informatif et amusant. Cliquez sur le bouton TÉLÉCHARGER ou Lire en ligne pour obtenir gratuitement le livre de titre $ gratuitement.
Library of Congress Catalogs
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The remarkable story of the stylistic, cultural, and technical innovations that drove the surge of comics, caricature, and other print media in 19th-century Europe Taking its title from the 1844 visionary graphic novel by J. J. Grandville, this groundbreaking book explores the invention of print media—including comics, caricature, the illustrated press, illustrated books, and popular prints—tracing their development as well as the aesthetic, political, technological, and cultural issues that shaped them. The explosion of imagery from the late 18th century to the beginning of the 20th exceeded the print production from all previous centuries combined, spurred the growth of the international art market, and encouraged the cross-fertilization of media, subjects, and styles. Patricia Mainardi examines scores of imaginative and innovative prints, focusing on highly experimental moments of discovery, when artists and publishers tested the limits of each new medium, creating visual languages that extend to the comics and graphic novels of today. Another World unearths a wealth of visual material, revealing a history of how our image-saturated world came into being, and situating the study of print culture firmly within the context of art history.
The Contemporary Lithographic Workshop Around the World
Michael Knigin A été écrit sous une forme ou une autre pendant la plus grande partie de sa vie. Vous pouvez trouver autant d'inspiration de The Contemporary Lithographic Workshop Around the World Aussi informatif et amusant. Cliquez sur le bouton TÉLÉCHARGER ou Lire en ligne pour obtenir gratuitement le livre de titre $ gratuitement.
Rodolphe T pffer
Among the many accomplishments in art and literature by Genevan Rodolphe Töpffer (1799-1846), his virtual invention of the comic strip, or graphic novel, stands out as the most surprising, curious, and to us, after a century inundated by comic strips, by far the most significant. This volume is the first English-language version of the Töpffer comics oeuvre and includes (unlike previous French and German editions) all of his eight full-length stories, plus previously unpublished fragments of stories started and abandoned and manuscript segments omitted in the printed versions. Comics scholar Kunzle translates the captions from the French, gives essential biography and chronology, and appends socio-political contexts for all the stories with explanation of references obscure today. He deals with questions of dating and the differences among manuscript, printed version, and the various editions. He also lists the plagiaries, translations, and adaptations in other media. Töpffer's complete comic strip output, combined with Kunzle's annotative material and analyses, makes this volume one of the most significant works of comics history to be published and reestablishes Töpffer's seminal place in the comics canon. David Kunzle is author of From Criminal to Courtier: The Soldier in Netherlandish Art, 1550-1670 and Decade of Protest: Political Posters from the United States, Vietnam, and Cuba, 1965-1975.
Husbands Wives and Lovers
In this interdisciplinary exploration of the cultural and social history of early 19th-century France, Patricia Mainardi focuses on what was considered a major social problem of the time - adultery. In a period when expectations about marriage were changing, the problems of husbands, wives and lovers became a major theme in theatre, literature and the visual arts. The author demonstrates that this intense interest was historically grounded in the post-revolutionary collision between the new concept of the individual's right to happiness and the traditional prerogatives of family and state. duty or happiness more important? Are arranged marriages doomed to be empty of love and poisoned by adultery? Should adulterous wives and their lovers be punished while husbands may commit adultery with impunity? Out of such legal, social and cultural debates ultimately emerged modern bourgeois family values, Mainardi argues. And she illuminates how art, in all its varieties, both influences and is influenced by social change.
Father of the Comic Strip
Sixty years before the comics entered the American newspaper press, Rodolphe Töpffer of Geneva (1799-1846), schoolmaster, university professor, polemical journalist, art critic, landscape draftsman, and writer of fiction, travel tales, and social criticism, invented a new art form: the comic strip, or "picture story," that is now the graphic novel. At first he resisted publishing what he called his "little follies." When he did, they became instantly popular, plagiarized, and imitated throughout Europe and the United States. Töpffer developed a graphic style suited to his poor eyesight: the doodle, which he systematized and also theorized. The drawings, with their "modernist" spontaneous, flickering, broken lines, forming figures in mad hyperactivity, run above deft, ironic captions and propel narratives of surreal absurdity. The artist's maniacal protagonists mix social satire with myth. By the mid-nineteenth century, Messrs. Jabot, Festus, Cryptogame, and other members of the crazy family, comprising eight picture stories in all, were instant folk heroes. In a biographical framework, Kunzle situates the comic strips in the Genevan and European culture of the time as well as in relation to Töpffer's other work, notably his hilarious travel tales, and recounts their curious genesis (with an initial imprimatur from Goethe, no less) and their controversial success. Kunzle's study, the first in English on the writer-artist, accompanies Rodolphe Töpffer: The Complete Comic Strips, a facsimile edition of the strips themselves, with the first-ever translation of these into English. David Kunzle is a professor of art history at the University of California, Los Angeles, and the author of many books on popular culture and graphic arts, including History of the Comic Strip: The Nineteenth Century.